Paulette

Taking Tribal Global Blog

Archive for the ‘D-Quad’ Category

The 2nd Volume of A Tribal Dancer’s Anthology is here… Dec 26, 2010

A Tribal Dancer's Anthology cover

A Tribal Dancer's Anthology cover

cover art by Tracy Carlton…beautiful!

A Tribal Dancer’s Anthology Volume 2 is here…
Delicious Divas Dancing Dreams
– a PDF download
D-Quad 2009-2010
Volume 2, only $4.00, just in time to be inspired for the New Year!
thoughtful words about dance and life…available as PDF download, easy to purchase and inspiring to read!
You can paypal directly to
dance@gypsycaravan.us
with your email address,
and we will send you the PDF format! easy…

And you can still get Volume One, 2008-2009
a beautiful collection of dancer’s words—evocative poems, touching stories, personal thoughts about the dance—available as PDF download, easy to purchase and inspiring to read!
only $6.00…

Delicious Divas Dancing Dreams- due May 10th! May 04, 2010

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Ok, let me hear it for next month’s D-Quad.
Delicious Divas Dancing Dreams…our dancing writer’s forum. This is a place to share your thoughts and inspirations about your dance, maybe art work and photographs if you care to share those too! Once yearly I publish an anthology of the year’s collections, which comes out in the Fall.

Next month’s entrees due May 10th, can you write it down for us? Don’t be shy. And if not to share, at least write it down for yourself.

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Here is something for you to think and write about. In the recent past, we have discussed how dancer’s move on from teachers, and into and out of troupes, friends, relationships.

Now, can you look at a dance, or at a dancer, and revel in it’s/her beauty and awesomeness? Or do you immediately have to possess it/her? Can you just bask in the enlightenment of that beauty and wish that dancer the best? And then, can you find out how to bring your own beauty out instead of trying to take someone else’s ideas? Consumerism, ownership, ego, wanting what someone else has or does—is that so much easier than going inside yourself to develop your own? I see and hear this non-artistic quality of imitation so much in our dance world, as I travel around and meet other dancers, seeing what they do with the dance. I witness so many women striving to be and learning how to be dancers. But they take on other’s ideas, instead of taking the time to delve deep inside to find their own artistic freedom and developing into their individual beautiful expression. Again, there is a huge difference between dancing and performing. Hopefully every dancer takes the time to find the spirit in her dance before she takes on teaching and/or performing. Tribal is about dancing together and finding the joy and beauty within so that it can be expressed through the body and soul. My job and goal as a dance teacher is to make my students be the best dancer they can be. I give them tools, ideas, and experiences, to use and study and develop, to then be able to bask in their own artistic glory. And it does take time, years possibly, to find your own voice. Patience and determination, and taking the time to fine tune your own vision of delight—that’s what it takes.

Find out what is is about what you witness that strikes you as something you want in your own life. When you see a great dancer or troupe, what are the qualities that you want to possess for yourself? Take a pen and paper, right now, and quickly without thinking too hard or editing yourself, list five things about that person or that dance/art form that speak out to you. Do it. Now, look at those five things. How can you bring those up from inside yourself? And manifest them into your art form?

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Bring it on, writers and dancers!

Thanks for sharing….

your submission for March D-Quad, due soon! Feb 18, 2010

For March D-quad, Delicious Divas Dancing Dreams,

Where has the dance lead you, or to whom?

Can you write about the experiences the dance world has shared with you, that may not even be about dance?

Take some time to think and journal about that, and then form it into a short story to share with us. Due February 20th. I look forward to reading about your journey. You can post it here, or email it to me  (dance@gypsycaravan.us) so that I can publish it in the March issue of Caravan Trails! I look forward to reading about your journey!

Nov 26, 2009

Happy Thanksgiving to all of you!

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The Anthology is here!

Today, Thanksgiving! What a gift….

A Tribal Dancer’s Anthology —

$6.00

Delicious Divas Dancing Dreams A Tribal Dancer’s Anthology – a PDF download

D-Quad 2008-2009, Volume One 52 pages, 11 x 8.5″

You can click here to purchase!

Buy No

Over the past year, many dancers have written in to my monthly enewsletter, Caravan Trails/Tribal Travels, to share their dance experiences and visions with me and our readers. It has been so exciting and rewarding to reprint these words, poems, artwork, and stories and put them into one beautiful anthology, our first one, for you to treasure, reread, be inspired by, and honor our experiences in dance, and life.


Here are just a few wonderful excerpts from the Anthology:

from the poem, Essence, by Luluna…

Head sways, hand swoops,

hip swerves, skirts swirl,

Bellies ripple, bodies whirl.

from Hilary Giovale…

Tribal Style was here in front of my eyes – the passion and deep beauty that women are capable of when they come together in a common creative endeavor. I suddenly understood it as the synergy that occurs when women move in unison, when they unite in a visual representation of heartfelt self-expression.

from Lynea Gillen…

I realize it’s the same thing I feel in circles of tribal dance. It’s the healing quality, and the community support that has been the most important aspect of the dance.

from Myla Stauber…

Women moving in their own perfect space, barefoot on the pavement, owning the pavement, and time slows, nearly stops, in their ticking moments of vulnerability and strength melding in movement and exposure.


And we have included photos and bios of the writers who have so graciously contributed to this gathering of dancer’s dreams! What is excitingly different, is that this anthology is available to you in PDF format, for you to read and keep on your computer, or to print if you desire the paper version. This is my way to experiment with technology to be a paper-saving, cost-efficient way of sending you this art booklet. Only $6.00 Buy Now

My desire is that you honor the art, the art form of this Anthology, and the Publisher. by not resending the PDF to others. This is a one-time download for you. We thank you for not giving away or sharing the Anthology. When you purchase this Anthology, please be sure to include your email address so that I can send you the PDF.

Enjoy, and I look forward to Volume Two, next year at this time. Please see the monthly enewsletter for submission guidelines, and be a part of the growing network of dancer’s words. Thank you!

**And an extra special treat for you! If you order my book, Tribal Vision: A Celebration of Life Through Tribal Belly Dance, now, you will receive the Anthology FREE! by December 10th.

Buy Now

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May you have a splendid holiday season! Keep on dreaming and dancing, and being remarkable..

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Delicious Divas Dancing Dreams–A Tribal Dancers Anthology 2008-2009 Nov 02, 2009

It’s almost here…Our 1st yearly D-Quad Anthology. With the sometimes simple, often eloquent, heart and soul searching thoughts, stories, and poems submitted to me over the past year, how could I not compile them into one dancer’s anthology? And make a lovely little handbook (of sorts) for you, to inspire your dancing journeys for the next year. Since part of my mission is to get dancers to write more, and to write about their dancing stories, this online format is the chosen way to get it to you.  And as we move forward with this year’s D-Quad submissions, they will be collected for next year’s anthology, Volume 2!

I’m excited about offering this to you in PDF format, so you can choose to read it on line, or print it as you wish. It will be a telling experience  to offer it to you this way, as it will be about trust. Since I am asking for a small payment to send the PDF to you via email, I will ask that you don’t then share it with others who have not paid for it. I love the idea, in the eco-friendly paper-saving era that we are in. So watch for updates, as it will be available soon…

And then, I can’t wait to hear how you are enjoying it!

NEWS:  National Bookstore Day is Saturday, November 7. Support your local, independent bookstore.

A Tribal Dancer's Anthology Cover

A Tribal Dancer's Anthology Cover

cover artwork by our own fabulous Lydia hess!

a poem I read in England and D-Quad for December Oct 30, 2009

One of the days that Louisa took me around the cute little town of Lewes, near Brighton, we went into a fabulous bookstore…danger, danger, I”m thinking of my luggage and the return flight home!

I could have bought several books, they were so unique and beautiful and different than many bookstores in the US, and and… but I contained myself, grabbing the new Tiniwaren CD, while leafing through many pages. I opened a poetry book by Peter Abbs, The Flowering of Flint, and the first page I turned to was a poem titled Artist’s Manifesto. It rang in my heart. I had to buy the book on that poem. And I have since fallen in love with his work. Evocative, questioning, stating what is.

The artist detonates his mind to let in God’s.
Under his loaded brush the world ignites.

Perception burns to vision. Metaphysics
Dance in his eyes. Under is finger-tips

All life’s transmutation, an alchemist’s laboratory
For experiments, Oh!-to set the imagination free

In the hard crucible of nature, to begin
To murder fate, to let the incandescent angel in!

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What do you think? The creative process is a wonderful and delightful adventure!

Dance and Winter

For the December D-Quad, Delicious Divas Dancing Dreams, our dancer/writer forum in my monthly newsletter,  (Caravan Trails/Tribal Travels–which you can subscribe to on my web pages– www.gypsycaravan.us) can you write a poem or a short about Dance and Winter! Whatever those words mean to you, put them together and send it in to me at dance@gypsycaravan.us and include your bio and a photo if you have one!

Due by November 20th,  600 words or so…Thanks for sharing…

And watch for the Tribal Dancer’s Anthology, coming to you in PDF soom, very exciting!

another blog to love and positive inspiration Aug 30, 2009

How do you get inspired? the ongoing topic…

A way for me to get inspired is by reading what other people do, what they think and write, it’s as if they were a mirror, or not, and gives me a time to reflect on myself and what I am doing and what I’ve set out to do… Derek Silvers, an ex-circus man turned musician then ingenious entrepeneur, the former owner of the amazingly successful CD Baby, keeps things moving for me…

HIs blog topic yesterday was…”What do you hate not doing?”

http://sivers.org/hatenot

Derek writes: We’ve all asked ourselves, “What do I really love?” or “What makes me happy?” I’ve wrestled when the emotion-based answers conflict with expectations. (I’m a musician, but I love working alone. Does that mean I should be a producer instead of performer? I’m an entrepreneur but I hate doing business deals. Does that mean I’m more of a CTO than CEO?) Last week I thought of it a different way, that I like better:

What do you hate NOT doing? (What makes you feel icky, irritated, annoyed or off-track if you don’t do it enough?) .

..and I thought this was just a super positive way to look at what I am, am not doing. So…

*I don’t like not moving my body every day, wether it be dancing, doing my personal workout, throwing hay to the goats, gardening…I am a pysical person, I need to move my body or I get super restless.

*I don’t like not reading every day. I must read, it does something to my psyche, me brain, my thought processes.

*I don’t like not writing every day. It helps to clear my mind, gets my ideas down on paper, gets my work done so that I can move forward on to the next project or idea or chapter.

*I don’t like not feeling connected, to myself, my family, my animals—every day. When I get too busy, it takes its  toll on my personal well-being, and my connection to my immediate community. Although good family and friends understand and accept those times of extreme busy-ness, no apologies necessary, it does not make me feel good. So there….do check out Derek’s blog…

How about you?

Can you approach your intentions and inspirations from that angle? Or think about what you want to do in terms of what you hate not doing? Bring it on!

~~~~~~~And down to my reading…

~~the $64.00 Tomato, by William Alexander Hilarious, made my howl out loud, which I love to do when I ‘m reading…

~~Tribes: We Need You To Lead Us, by Seth Goldin Here is something to get your brain cranked up!

~~Eat, Pray, Love: One Woman’s Search for Everything. by  Elizabeth Gilbert the ever popular book and author these days, and I still love it, and her! The writing is so authentic and soul-searching.

Here is a lovely clip from the TED conference with Elizabeth speaking about creative genius, what do you think?

Elizabeth Gilbert

A Dancer’s and Writer’s Forum! Apr 22, 2009

D-Quad,
or
Delicious Divas Dancing Dreams!

Enter your words in the monthly newsletter,

For May D-Quad, let’s write about an experience we have had dancing with our partner, our troupe, or alone, that has touched us in some way, given witness to ourselves or each other, or reflected something back to us. Deadline is April 27th.

In the cyber pages of my monthly e-newsletter, Caravan Trails, I am extending an invitation to you to write about your dance. I’m dreaming about publishing a yearly dancer’s anthology, a tribute to you and our dance, and this is our starting gate.
Each month we will write about a chosen topic, so that you can visualize and verbalize something about your tribal dance. You may be chosen to be published, either in edited or full form, in this newsletter or my new blog, and awarded a token gift from Gypsy Caravan. Let’s share our tribal vision. And if you have art to share, send it in.

I look forward to reading your words! Thanks for being a part of our writing community.
Email your submissions to dance@gypsycaravan.us, with a short bio, a photo, and your mailing address so I can send you a token gift for writing! I look forward to reading and sharing your words.

Heroes and Gods, part 3 Mar 11, 2009

This is the final installation of my Heroes and Gods story. I hope it has inspired you to write for our April D-Quad edition! At least, I hope it has inspired you…Let me know…

Songs and words started to shape me in my rambunctious early teenagehood, and I still have some of those gods. Playing my first musical instrument began with organ lessons at age seven, but it wasn’t until my guitar strumming preteens that musicians started imprinting on me. The singer Melanie, inspired me to pick up the guitar. she was a hippie skirt wearing, vegetarian, guitar playing woman, who also inspired me to become a vegetarian, until my father made me eat roast beef at our Sunday dinner about a week later. I admired her intensely at first but she was a short-lived goddess, after the awful roller skating song she released, I moved on. She fell from grace.
I strummed along with my still much-revered goddess, Joni Mitchell, who sang poetry with jazzy, strangely rhythmic music. I played and sang along with the beautiful yet political harmonies of my gods Crosby, Stills, Nash, and Young. I kept playing my guitar, writing my youthful angst driven songs along the lines of their song, “ Four Dead In Ohio.” I was living in Ohio, in junior high, at the time of the Kent State shootings, about 1970, and their boldness of words and politics through that song and others showed me rebellion and strength, how to stand tall.
There was my girlhood crush on Cat Stevens, a wild-haired musician whose smile made me swoon and his songs made me weepy. His words were poetic and poignant to me in my growing womanhood:
“I was once like you are now, and I know that it’s not easy to be calm when you’ve found something going on, but take your time, think a lot, think of everything you’ve got for you will still be here tomorrow, but your dreams may not”. (Father and Son)
I played his albums over and over again, never deciding on a favorite. My god could do no wrong, although I recall being crushed when I heard rumors of his homosexuality.  I got over that and I can still play his songs when I pull out my guitar. I play his CDs now and I still weep.
I have a vivid picture of sitting in my downstairs bedroom, listening to Ziggy Stardust, by David Bowie, another hero. He was the brilliant, androgynous, bizarrely sexual man, that made my heart beat with excitement of a new sound and vision of rock music and stardom. It must  have been about 1972, hanging out with my friend, also a David, who later got murdered for drugs. Not such a happy ending for him, but it’s a happy memory of him, for me. And Bowie, still prolific and brilliant today, he remains my god.
When I hear certain songs I have an abundance of amusing memories that play through my head like mini movies . Thoughts of certain heroes bring up colorful images  of the past. I hear a song and I remember the words, the music, sometimes the clothes I used to wear. I am reminded of my romantic idealism from my starry-eyed young womanhood by gods of that time whom have been permanently tattooed in my memory.  Like cruising down the highway in my dark blue Buick Skylark convertible, nicknamed the Buck because the ”I” was missing off the front grill, singing along loudly with Steppenwolf, “Born to be Wild,” and Traffic, “Low Spark of High-Heeled Boys.”  I felt invincible and free, wind in my hair and ready to take over the world in my sixteen year old  want-to-be-a musician way. How my gods shaped me back then, made me listen to the music and the words, offered me a chance to listen to the quiet as well as the stories. Their words taught me to take time to reach inside to find myself, and to take time to dream. I will not forget.
Forward again to art school, there was Elvis. Costello, not Presley. An inspiration. Prolific to beat all. Since 1977, the man has put out so many brilliant recordings, I’ve lost count. His words, so right on, were satyrical and cynical, were titillatingly honest, saying what I wanted to hear. How did he know? If I needed to think, I‘d put on one of  his albums. If I needed to cry or laugh, I would put one on, they could evoke so many different emotions in me. I would sing along, or pull out my guitar and play along.  I put him way up high on my “Inspirational Pedestal.” Always.
If I didn’t have my gods, would my world be different? They have given me many ways to think about life, what or how I wanted to be when I grew up, and now, too, what I desire  in my life. I enjoy having my gods. It’s playful, in a serious sort of way. My philosophy about living.  I think we all need someone to look up to, to be inspired by, to learn from.  Some may call them role models. I like that  added something. Why not make them extra special, give them an act of reverence? Like draping a velvet cloak on a priest’s shoulders, or bowing down before the pope and kissing his ring, or raising up the little white Eucharistic host as the body of Christ? My worship has nothing to do with being raised Catholic. Or does it? Looking back now, that catholic upbringing  did influence the ritualistic side of myself. I honor ritual and have raised my own traditions, like building altars and lighting candles, and I have my own way of meditative prayer. Changing water into wine, I’m all for that. It just doesn’t have anything to do with God the Father, Son, and Holy Ghost.
About ghosts and all things dark, I read Anne Rice and The Vampire Lestat  also in those art school years. I found the book in the dumpster in my apartment building, having no ideas what it was about. This was before the book became a cult classic. I fell in love with it, the writing, the story, and the characters, dark and mysterious and sexual and romantic, everything I thought I was. Who was this woman who wrote it? She quickly became a dark legend over the years of writing seductive sequel after sequel and series of erotica, vampires, witches, ghosts and gods. Although I didn’t join the forces of gothic fan clubs that sprung up from her readers, I, too, had my goth days of moody music, big hair and white makeup during that time period. It was the books and Anne that I admired. An independent successful woman. I wanted to write like her. I respected her and her prolificacy, her ability to do intensive historical research, and her ingenious mind to make up those other worldly worlds.  Goddess.
There are those times when meeting someone in person can bring on hero worship. My husband and I were fortunate enough to stay with Michael Abelman and his family this summer on their organic farm in Canada, purely by accident. What a gem of an accident. We traveled to their B&B in Canada, not knowing who they were, but hoping the farm would be a delightful place to stay and celebrate our twentieth wedding anniversary.
Eating their most glorious breakfasts laid out for the guests was bounty enough, but we spent time chatting with them and observed them living their beliefs about the land.
What spirit Michael has, and a vision of a good whole earth. Through his organic farming practices, he  keeps alive old ways while building new ways of organic farming and sustainable agriculture, and he provides education and opportunities to those who seek his expertise. To use the land and sustain it, to work with the farmers, to grow and eat good food, of this earth, our bounty, not the world of biggie this or that, or processed items that resemble food, but this earth. Michael sticks to his ideals, works hard, honestly, without fail.  In his farmer’s spare time, he travels the world and writes books about farming. While at his B&B, I read two of them, On Good Land,  about his urban organic farm in Santa Barbara,  California land, and From The Good Earth,  about our planets land and the old ways of farming from around the world. Hero worship, in person.  Providing me with more inspiration for my own gardening and eating and way of life., and how I can continue with even my small good gardening deeds to support our earth.
How I admire Alice Waters for her advocacy for farmer’s markets and sustainable agriculture.  My heroine, the great chef, restauranteur, cookbook author, and supporter of local organic farmers, spoke at a book signing of her latest cookbook. She doesn’t just ride on the success of her world famous restaurant, Chez Panisse in Berkeley,  and multiple cookbooks. She uses her success to underwrite food programs for education. Supportive of today’s youth, trying to be rid of yet another McDonald’s in the the school cafeterias, teaching and preaching about good food and slow food and family meals.  She continues writing and lecturing locally and internationally, working on rebuilding gardens and food programs, to teach children about eating and gardening.  She’s a visionary and my hero. She’s on my “I’m Impressed” pedestal, for her her vivacity and dedication to spreading her work and her word. Amen, sister.
As my dining room table is now overflowing with books and CDs, on my walk down memory lane, my kitchen table, close by, is covered with the seasons local organic pears and apples.  I drink the wine of my favorite local organic winery, and if possible, I cook the food from the local farmers, to bring harmony into the lives surrounding me, mine foremost. My walls are covered with the art of people’s dreams, theirs’ that I can only fantasize about and honor. I dance and write my own dreams, inspired by those who have come before me, but they are mine.
As I have aged, matured, ripened like those pears into my forties, I don’t put so many gods on my pedestals.  I still have them,  it takes more to impress me now. I wouldn’t say that I am jaded, or have seen it all, not at all. I hope I never approach life with those views. I still love to be wowed, knocked off my chair, and given ideas to ponder. Now I am more selective who I choose for godhood. I have lived through drugs, rock n’ roll, promiscuous sex, spiritual searchings. I have found intense, romantic, and satisfying love with my soul mate. I have become a successful artist and career woman. I have worked my land and learned how to sustain myself. Not that my search for enlightenment and life meaning and adventure is over. Never. There is too much is this most fantastic world to experience
My gods, I thank them. Why not worship them, put them on a pedestal? Through words and music and art, they have helped to make and shape my life, to maintain my sense of humor, even through my darkest searches, and encouraged me to retreat or march forward with open arms.  Maybe I do romanticize them a bit too much. In my eyes they are living to their full potential. Courage, my gods give me courage. Courage to dream, write, dance, cook, love. To keep on.
Let the heroes be worshipped. And the gods be praised. I testify. Amen.

Heroes and Gods, part 2 Mar 09, 2009

Here is a continuation of my story about my gods. Who are yours? and why? the subject of our April D-Quad in Caravan Trails enewsletter… Deadline is March 20th!

Someone asked me the other day, “If you could have dinner with anyone, dead or alive, who would it be?” What if I were to meet some of my gods? Have a meal with them? Were I to sit down with Elvis Costello for lunch, I would be tongue tied, I’m sure. Or Henry Miller, or Tom Waits, or Tom Robbins. I know how to have a conversation, but I’m not good at small talk. I can chat briefly with strangers, although these people aren’t strangers. I’ve grown up with them, in a way. I know quite a bit about them, at least what they have wanted me to know.  Would I want to sit and have a conversation with them? I don’t want to know they are human. They’re my gods, for gods sake.

            In some way, I would love to have dinner with Henry Miller. He always enjoyed himself and other people, but I’ve so venerated him on my book shelf, and in my mind, that maybe I don’t want to go that far.  What if I didn’t like him?  What if he pissed me off? All those years of reverence might have to be tossed, and I couldn’t bare that.

            What I want is to see the world through the eyes of my heroes, which then, became my eyes. Not to become them. Absolutely not. It’ s a yearning, a desire for more understanding, and the willingness to experience other’s experiences through their words and music, without having to make them mine. They make a road for me to look down, walk on, or turn away from. I  admire from a distance.  Learning to be myself,  in my world, the ever-changing world, with it’s scariness and beauty. 

            Books are like prescriptions. Their words can be so timely, giving me what I’m  looking for, what I need, to heal, to laugh and cry, to find an answer at just the right moment, or after years of searching. I revere them, have shelves of them. Shelves of gods and heroes. Altars. Going to my bookcases, getting overzealous as I write these pages, I want to pull all the books out, my influences, my heroes, what has made my world go round, and what has taught me about  sex and love, spiritual beauty, darkness and pain, artistic freedom. I go back and forth in time with my books. Teenager. Adult. Poet. Druggie. Songwriter. Teenager. College student. Rocker. Healer. Dancer. The alls of me. There is no stopping me. The rampage has set in. Fertile wanderings. My books are now taking over the dining room table as I read and write. It is a feast. A feast of the senses.

            Diane Ackerman opened up my senses even more, as if I needed more opening, using words as aphrodisiacs in A Natural History of My Garden, and A Natural History of The Senses. She made me swoon, reflect, to behold first her world, then mine, with my eyes, nose, ears, mouth, and fingers. Reading her words was experiential. Poetic. She wrote how “the whole body ripples in orgasmic delight”, from a  sneeze. I can feel it. She watched “vines evolve from flowers to succulent purple fruits, sense-luscious and nearly bursting with fragrance”. If there was ever a time when I questioned myself or my existence, how could I not fall in love with words, again, as well as with the world, again, following her journey? Up on the “Writing Great Things” goddess pedestal she went.

            In Aphrodite, A Memoir of the Senses, Isabel Allende wrote about seduction and sex and love and food. These have become a theme for me, a mantra. Be still my beating heart. She wrote “…dusk incited me to sin…in my fiftieth year I find myself reflecting on my relationship with food and eroticism…”  “Aphrodisiacs are the bridge between gluttony and lust’. I too, have a constant love affair with food and wine and cooking and eating. Not only for pure sustenance, but pure pleasure, too, and adventure and the delight of a meal with a loved one or many. To read about it, then to open up every pore, to smell, eat, taste, touch, love. I believe it’s the “I Want To Experience Life” pedestal for her.

            From Letters To A Young Poet, by Rainier Maria Rilke writes, Being an artist means: not numbering and counting, but ripening like a tree, which doesn’t force its sap, and stands confidently in the storms of spring, not afraid that afterward summer may not come”. Another art school read. That tree image has stayed with me, sometimes as a behemoth, sometimes a sapling, enduring, it’s own juices flowing. I  call upon it when I need strength to continue, to be honest with myself, with my words and my art, not be afraid of what may come after. Rilke, in this book, has a conversation through letters with one man, about creativity, writing, love, passion, spirituality. The pages are bent and worn from me marking outstanding phrases. I read and reread it at a time in my life when it was relevant and needed, art school. When my peers ripped my work apart, questioned my vision and  style, only trying to be helpful. When I felt sometimes as if I couldn’t stand on my own feet., I read Rilke. I was learning to express myself with words, art, and actions, always on that quest of and for experience, and trying to put it into a visual context. Rilke helped guide me, as any good god would do.

            Not only thoughts on how to be an artist, but how to be alive, Rilke writes to his friend, “For one human being to love another human being:  That is perhaps the most difficult task that has been entrusted to us, the ultimate task, the final test and proof, the work for which all other work is merely preparation.” Love, selfhood, he was writing to me, I was sure. “To walk inside yourself and meet no one for hours.” For me to be alone, listening and observing and not being afraid of the quiet.   As I reread him now, writing this, he is relevant still. He is god.

 

Part 3, to be continued!